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6 The Sun, Wednesday, March 16, 2011
At the Movies
Battle L.IL,: Full Metal Racket
By lan Black
Special to The Sun
Sure, there are a few of those
wacky aliens who like Reese's
Pieces and want kids to "be
good," but most just seem to
want to kill us.
Like in "Independence
Day" when President Bill Pull-
man himself flew a fighter jet
to save Earth, or in "Signs"
where Father Mel Gibson had
tO protect his family from M.
Night Shyamalan's rapidly de-
teriorating career.
Now in 2011, the very beat-
ing heart of our nation is under
attack, that's right: Lost Ange-
les; where all the movie stars
are. That place where the films
all shoot those desert scenes in
movies they pretend take place
in the Middle East. It's the birth-
place of Carl's Jr., for crying out
loud. And now it's up to Staff
Sergeant Aaron Eckhart to safe-
guard American freedoms-- in
America.
Yes, aliens are attacking.
There's not much more to it
than that, other than the marines
are the ones to answer the call.
Our hero is Staff Sergeant
Michael Nantz (Eckhart) a
burned out marine tired of see-
ing soldiers die under his com-
mand. He's just two days from
retirement, but the hostile aliens
who invade L.A. care nothing
for this irony.
They attack with wild aban-
don and Nantz must once again
charge into the line of fire and
earn the respect of his men. But
Nantz is a marine, and marines
get the job done! Semper-Fi!
Booyah!
Okay, I'm not a marine. I
don't really know many ma-
fines, either. The closest I've
come is playing a video game
as a marine, which frankly was
a lot like this movie. Except
these are aliens not terrorists.
Honestly, though, in terms of
narrative it still isn't that differ-
ent; faceless enemies, black and
white morality, more 'oo-rah.
Fiction sure does make things
simple.
Now aside from the fact that
this was pretty much a two
hour, $100 million dollar re-
cruiting video for the marines,
it did actually have some good
points. In fact, the film's gen-
eral concept is what saved this
movie from mediocrity. This is
essentially a blend of two
genres: the modern military
thriller and the alien invasion
movie, and this innovation
alone allows it rise above its
fairly obvious flav;,s to a degree.
The marines in this movie
use actual marine tactics,
rather than the silliness you
usually see from the "military"
in other alien films. These sol-
diers act like real marines ac-
tually would in a combat situ-
ation. They use the right jar-
gon, they use proper proce-
dure, they use logical methods
to adapt to challenges. It's the
kind of stuffyou'd see in a film
about troops in Afghanistan,
except they're fighting aliens.
This alone makes the film an
interesting spectacle.
That being said, it also high-
lights the main problem, which
is when "Battle LA" trends
away from the tactical fighting
aspect. Granted, this isn't often,
but whenever this film tries to
establish character or generate
emotional responses it tends to
fall fiat, or even have the oppo-
site effect with some of its sap-
pier moments.
If writer Christopher
Bertolini had taken a few notes
from, say, "The Hurt Locker"
when it came to characteriza-
tion and dialogue this could
have been something amazing,
rather than just something in-
teresting. As it stands, you don't
care about any of the charac-
ters, and even if you did each
death is telegraphed so heavily
by clichds that you can tell
yourself when to stop caring.
That being said, with a healthy
$36 million at the box office,
the marines easily won the
weekend showing that Ameri-
cans still really like a patriotic
ass-whuppin.' (Cue Toby Keith
song.)
"Battle L.A." is an interest-
ing experiment. It takes the con-
cept for two very different types
of film and tries to give them
the peanut butter and chocolate
trealment. It works, but it shows
that at least someoftheir prod-
uct isn't quite up to snuff, and
so what could have been a land-
mark film, comes off feeling a
bit shallow.
And while I have the utmost
respect for the armed forces, the
squeaky clean purity in which
the marines are portrayed in this
film makes it seem all the more
fake. Perhaps it's no coinci-
dence that this film was set in
Los Angeles, after all.
Grade: B-
Entertainment Value: 8.5
Dallas restaurant serves
"13tanic passenger's last meal
A Titanic Dinner Event at Latitude One res-
taurant in the Dallas courthouse square, 904
Main St., at 7 p.m. on Thurs., April 14, 2011
will be a history experience complemented by
food, entertainment and wines.
Latitude One's Titanic Dinner Event is a
recreation of the final 11 course meal enjoyed
by first class passengers before the "largest
vessel afloat" had her tragic meeting with an
iceberg and sank on Apfil 14, 1912.
Each appropriate dinner course will be ac-
companied by the same type of French and
German wines enjoyed by the carefree Titanic
passengers.
"We're researching wines from our own
region (grown at the same latitudes as those in
Europe) that correspond to the wines served
with each course on the Titanic," said Marlene
Cox, restaurateur. "There will be a total of seven
wines and one cognac served during the event."
Everyone who reserves a seat at the $125
per person Titanic Dinner Event will be issued
a boarding pass and they will be provided with
a name and history of the passenger they are to
portray during the evening.
"This is a formal event and the perfect time
to bring out furs and jewels or period cos-
tumes," Cox explained. "Each table will be
sparkling with fine china and crystal."
Entertainment will be provided by Moonfall
Theater artists and musicians who will perform
select songs from "Titanic," the Broadway
musical.
The Titanic surpassed all other ships in her
luxury and opulence in her day. Delicious cre-
ations in her kitchen are legendary.
Latitude One Chef Tom Cifelli, a graduate
of the Western Culinary Institute Le Cordon
Bleu, plans to continue those high standards
with the Latitude One Titanic Dinner Event.
From the clam hors d'oeuvres and the cream
of barley soup, to the salmon, filet mignon and
lamb with mint sauce entrees and the salads
and desserts, each Titanic Dinner Event
participant's taste buds will receive a treat.
Following dessert, each participant will learn
whether their passenger survived.
The Titanic was the largest passenger steam-
ship in the world when she set off on her maiden
voyage from Southampton, England to New
York City.
The eclectic mix of passengers onboard the
ill-fated luxury liner fed the world's fascina-
tion with the ship.
Maritime laws were changed after the Ti-
tanic's swift plummet into icy waters only four
hours after hitting an ice berg. The tragic event
claimed the lives of more than 1,500 people.
For the complete Titanic Dinner Event
menu, visit www.latitudedallas.com. For more
information on the Titanic Dinner Event, call
503-917-9243.
Arsenic & Old Lace at Gallery Theater
Opening April 1, and running through April
16 in the arena theater at Gallery Theater in
McMinnville, is Arsenic & Old Lace.
Meet the charming and innocent ladies who
populate their cellar with the remains of so-
cially and religiously "acceptable" roomers, the
antics of their brother who thinks he is Teddy
Roosevelt and the activities of the other
brother--well, these require no further descrip-
tion or amplification here; a comedy from start
to finish.
Of the 12 plays written by Kesselring, Ar-
senic and Old Lace was the most successful,
and, according to the opening night review in
the New York 7qmes, the play was "so funny
that none of us will ever forget it."
Friday and Saturday performances begin at
7:30 p.m. and Sunday's early shows begin at 3
p.m.
Tickets are on sale now for $14 general ad-
mission, $12 students and seniors. Gallery's box
office is open Tuesday through Friday; 12 p.m.
to 6 p.m. Call 472-2227 for tickets. For more
information go to www.gallerytheater.org.
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